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See our Buyer’s guide to vintage Fender amps for a guide and picture gallery of the known original speakers in the blackface and silverface amps.You may compare these with your own speakers to determine what you have.A good example is a single coil strat or tele played with the bridge pickup through a cranked blackface Bassman (AB165).The amp has a huge bottom end and a slightly edgy Fender 6L6 push-pull (class AB) cranked tone. Another example is a bright jazzmaster with bridge and neck pickup combined for some jangly surf tone, through a big clean amp like a Pro Reverb, Super Reverb or Twin Reverb with lots of reverb.Variation is the key and therefore, my friend, you need several guitars, amps, pedals and different speakers.At we prefer mostly the American type of speakers for vintage Fender amps.In such cases we tend to favor British voiced speakers to give us a throaty and meaty tone where the treble is tamed and compensated for.Such speakers may not be well suited for crystal clear and soft clean tones, but they match perfectly with our blackface AB165 Bassman with jumped channels and lots of preamp and power amp distortion.
We want more bass and mids to smooth out the treble and high harmonic frequencies coming from the amp.
A low power speaker will have better transparency, efficiency, sustain and speaker weight.
High power speakers are stiffer and require more power to vibrate and operate in its sweet spot.
A general recommendation is to stay as low as possible on the speaker power handling. Elements to consider are: The morale is that the selection of speakers is dependant of your guitar, amp and pedals. You may select speakers depending on which gear you’re playing.
A 40w Super Reverb will distribute 10w to each of the four speakers. When discussing speakers with others tell them where you are at, what are you seeking, what do you want more or less of.
They have a balanced and transparent characte that works good for most music styles.